
Thanks to Connie, we have added a scan from March ‘Hollywood’ issue of Vanity Fair. Natalie was named ‘The Rare Bird’ by the magazine. See the scan in our gallery and read a small article below!
Having long ago sloughed off the caul of child stardom – via her Oscar-nominated role as a stripper in 2004′s Closer, her shorn-look portrayal of a freedom fighter in 2006′s V for Vendetta, and that swear-y S.N.L. Digital Short in which she vowed to ‘roll up on NBC and smack the shit out Jeff Zucker’ – Portman, in Darren Aronofsky’s Black Swan, proves conclusively that there’s nowhere she won’t let acting take her. Put aside the physical demands of training to play a prima ballerina and the titilation of her all-you-can-eat sex scene with Mila Kunis. It’s the way Portman surrenders herself to Aronofsky’s loony, Robert Aldrich – like vision (for aren’t What Ever Happened to Baby Jane? and Hush… Hush, Sweet Charlotte more the templates for Black Swan than The Red Shoes or any of Antonioni’s cinematic fever dreams?) that underscores her bravery and mastery. This diary of a spooked girl’s crack-up is, let’s face it, as silly as it is visually and narratively audacious – and Portman manages this seeming tonal contradiction with aplomb, neither kitsching it up nor disappearing fainheartedly into Aronofsky’s vortex of blood, sweat, blister pus, spite and pink icing. She’s the new dayenne of art-sploitation.